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Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph--Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho--the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Manners and customs --- Mourning customs in literature. --- Relics in literature. --- Death in literature. --- English fiction --- History --- History and criticism.
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"Réalités pseudonymes explore la question de la réalité à travers le prisme du nom propre et de ses mécanismes référentiels dans la littérature et les arts au tournant du 21ème siècle. Julie Gaillard convoque les œuvres de penseurs, auteurs et artistes qui ont en commun de remettre en question l'évidence référentielle du nom propre pour interroger la fabrique du réel et montrer comment il peut être transformé, suspendu ou encore détourné : Jean-François Lyotard, Samuel Beckett, Édouard Levé, ainsi que les artistes Renaud Cojo et Invader. Situé au carrefour de plusieurs disciplines, l'ouvrage interroge la trame de la réalité à l'heure où les sociétés glissent de modalités analogiques à des modalités numériques de sa médiation. Réalités pseudonymes explores the question of reality through the lens of the proper name and its referential mechanisms in French literature and arts at the turn of the 21st century. Julie Gaillard analyzes the works of thinkers, authors, and artists who all question the referential transparency of the proper name to question the fabric of reality and show how it can be transformed, suspended or even faked: Jean-François Lyotard, Samuel Beckett, Édouard Levé, as well as the artists Renaud Cojo and Invader. Situated at the crossroads of several disciplines, the book questions the fabric of reality at a time when societies are shifting from analogue to digital modalities of its mediation".
French literature --- Names in literature. --- Reality in literature. --- History and criticism.
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Like few other works of contemporary literature, Elena Ferrante's Neapolitan novels found an audience of passionate and engaged readers around the world. Inspired by Ferrante's intense depiction of female friendship and women's intellectual lives, four critics embarked upon a project that was both work and play: to create a series of epistolary readings of the Neapolitan Quartet that also develops new ways of reading and thinking together.In a series of intertwined, original, and daring readings of Ferrante's work and her fictional world, Sarah Chihaya, Merve Emre, Katherine Hill, and Jill Richards strike a tone at once critical and personal, achieving a way of talking about literature that falls between the seminar and the book club. Their letters make visible the slow, fractured, and creative accretion of ideas that underwrites all literary criticism and also illuminate the authors' lives outside the academy. The Ferrante Letters offers an improvisational, collaborative, and cumulative model for reading and writing with others, proposing a new method the authors call collective criticism. A book for fans of Ferrante and for literary scholars seeking fresh modes of intellectual exchange, The Ferrante Letters offers incisive criticism, insouciant riffs, and the pleasure of giving oneself over to an extended conversation about fiction with friends.
Female friendship in literature. --- Women in literature. --- Ferrante, Elena --- Criticism and interpretation.
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"Argues that, in both form and content, the Tale of Genji re-envisions the elite practice of polygynous marriage and the construction of aristocratic mansions as expressions of familial power. Radically rethinks the Genji by focusing on the figure of the house-encompassing both fictionalized images of mansions and their inhabitants"--
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Through interdisciplinary readings of a range of literary and legal texts across a 200-year period, this book uncovers how the cultural narrative affected the development of the law itself in the 18th and 19th centuries in three case studies: adultery, child criminality and rape testimony.
English literature --- Crime in literature. --- Law in literature. --- Crime --- Literature and society --- History and criticism. --- History
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Après la conquête de l’Égypte par Alexandre (hiver 332-331 av. J.-C.), de nombreux hellénophones s’installent dans le pays, espérant y trouver la réussite. Ils apportent avec eux leur langue et leur mode de vie. L’esclavage fait partie de celui-ci. La mort de Cléopâtre en 30 av. J.-C. entraîne l’annexion du pays par Rome. Des Romains s’établissent en Égypte, mais le latin y est infiniment moins utilisé que le grec, langue pratiquée par l’élite romaine. Ces Romains emploient aussi les esclaves. Grecs, Romains et même Égyptiens rédigent sur papyrus et ostraca (tessons de céramique ou éclats de pierre), en grec ou en latin, une série de documents variés, officiels ou privés, dans lesquels apparaissent des esclaves. Dans ce livre, l’auteur présente un choix de ces documents écrits entre 30 av. J.-C. et 400 apr. J.-C. Ces documents illustrent de manière originale la vie des esclaves dans l’Égypte romaine sous les titres suivants : devenir esclave, changer de maître, l’esclave utilisé, l’esclave contribuable, l’esclave différent, l’esclave malfaiteur, l’esclave maltraité ou puni, l’esclave fugitif, l’esclave et ses maîtres, cesser d’être esclave. Chaque document est traduit et accompagné d’un commentaire qui en permet une bonne compréhension.
Esclaves -- Égypte --Antiquité -- Sources --- Slavery --- Slaves --- History --- Sources --- Social conditions --- Egypt --- Civilization --- Sources. --- Social conditions. --- Slavery in literature --- Romans --- Enslaved persons --- Persons --- Slavery and slaves in literature --- Slaves in literature --- Enslaved persons in literature
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How did the emigration of nineteenth-century Britons to colonies of settlement shape Victorian literature? Philip Steer uncovers productive networks of writers and texts spanning Britain, Australia, and New Zealand to argue that the novel and political economy found common colonial ground over questions of British identity. Each chapter highlights the conceptual challenges to the nature of 'Britishness' posed by colonial events, from the gold rushes to invasion scares, and traces the literary aftershocks in familiar genres such as the bildungsroman and the utopia. Alongside lesser-known colonial writers such as Catherine Spence and Julius Vogel, British novelists from Dickens to Trollope are also put in a new light by this fresh approach that places Victorian studies in a colonial perspective. Bringing together literary formalism and British World history, Settler Colonialism in Victorian Literature describes how what it meant to be 'British' was re-imagined in an increasingly globalized world.
Colonies in literature. --- English fiction --- Commonwealth fiction (English) --- Imperialism in literature. --- National characteristics in literature. --- Identity (Psychology) in literature. --- History and criticism. --- Commonwealth of Nations fiction (English) --- Commonwealth literature (English) --- Commonwealth of Nations authors --- hCommonwealth fiction (English)
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"How can the 'voiceless' voice be represented? This primary question underpins lshikawa's analysis of selected work by Buraku writer, Nakagami Kenji (1946-1992). In spite of his Buraku background, Nakagami' s privilege as a writer made it difficult for him to "hear" and "represent" those voices silenced by mainstream social structures in Japan. This "paradox of representing the silenced voice" is the key theme of the book. Gayatri Spivak theorises the (im)possibility of representing the voice of "subalterns," those oppressed by imperialism, patriarchy and heteronomativity. Arguing for Burakumin as Japan's "subalterns," Ishikawa draws on Spivak to analyse Nakagami' s texts. The first half of the book revisits the theme of the transgressive Burakumin man. This section includes analysis of a seldom discussed narrative of a violent man and his silenced wife. The second half of the book focuses on the rarely heard voices of Burakumin women from the Kiyuki trilogy. Satoko, the prostitute, unknowingly commits incest with her half-brother, Akiyuki. The aged Yuki sacrifices her youth in a brothel to feed her fatherless family. The mute Moyo remains traumatized by rape. lshikawa' s close reading of Nakagami's representation of the silenced voices of these sexually stigmatized women is this book's unique contribution to Nakagami scholarship"--
Buraku people in literature. --- Nakagami, Kenji --- Criticism and interpretation.
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Chinese essays --- English literature --- Hong Kong (China) --- In literature.
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Between 1900 and 1960, many writers in France and Britain either had parallel careers in diplomatic corps or frequented diplomatic circles: Paul Claudel, Albert Cohen, Lawrence Durrell, Graham Greene, John le Carré, André Malraux, Nancy Mitford, Marcel Proust, and others. What attracts writers to diplomacy, and what attracts diplomats to publishing their experiences in memoirs or novels? Like novelists, diplomats are in the habit of describing situations with an eye for atmosphere, personalities, and looming crises. Yet novels about diplomats, far from putting a solemn face on everything, often devolve into comedy if not outright farce. Anachronistic yet charming, diplomats take the long view of history and social transformation, which puts them out of step with their times--at least in fiction. In this collection of essays, eleven contributors reflect on diplomacy in French and British novels, with particular focus on temporality, style, comedy, characterization, and the professional liabilities attached to representing a state abroad. With archival examples as evidence, the essays in this volume indicate that modern fiction, especially fiction about diplomacy, is a response to the increasing speed of communication, the decline of imperial power, and the ceding of old ways of negotiating to new.
English fiction --- French fiction --- Diplomacy in literature --- History and criticism
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